FOUR POEMS

I’ve recently stumbled across four poems that were cut from the final version of COLORS MORE COLORS. You can read them below: a saucy true story about public sex and a lightning strike, a rumination on a bee at Codornices Creek, another rumination on Bury My Heart At Wounded Knee-level eschatology and mild depression I recorded one afternoon at People’s Park, and a eulogy on the mode and style of the poems in what was then my previous (/first) ‘zine, MY FIST IS A BOOK OF ETHICS. All of these are, of course and along with my collaboration with the inimitable Bonnie Cherry, available at both my Etsy store and via my Patreon. Be sure to keep your eyes open for next month’s IT’S HERE THAT I AM COMFORTABLE WITH MYSELF, HERE THAT I HAVE FRIENDS, in which I attempt to both sharpen and put to rest a mode of poetics I’ve been attempting to call the poetry of knuckles. More soon xo and all that.

May 20th, 2011

we ran into the library

soaked by rain, she

put me in her mouth

and then her self

we came and

lightning struck

the steam whistle,

its billowy contents

streaming

out into the storm,

when she noticed

that we’d fucked

next to Whitman

and Miller and

a student who

we didn’t know

was there

Degrees of Proximity Dictating Value

a small green bee

leaves behind no

orbits, nor follows

mindless, mindlessness

buzzes

Its shadow suggests a swarm

or the possibility of one

one of many

sound logic is anything but

knowing the way an animal

crouches before it pounces

or an insect floats or that

a plant grows imperceptibly

but that doesn’t mean we’re

blind, doesn’t mean god

doesn’t see us in order

to exist, doesn’t follow

mindless orbits

soundness of mind is like

the soundness of anything

else: it never actually has

it; is adjacent like smoke

causal like flowers facing

the sun, degrees of proximity

dictating value

there isn’t a mountain

for miles around and as

such it can’t be forced

to disclose itself, what

it can only suggest are

the possibilities made

such by its closeness

to the sun

perhaps granted by the

small trauma of the fact

that I have just killed

the small green bee

having swatted it once

and twice on its return,

sending it softly to the

ground into which I

smashed it with my

foot proclaiming

leave

me

alone

Whole & Entire

… and if the soil present

would itself be so kind

as to rise to the occasion

of swallowing the just and

the unjust so that it might

be known that in doing so

myth would be undone and

the world would fall apart

I would be grateful

grateful for the fistful

grateful for the grasp

and the grasping

grateful for the outness

of the sunlight

for that which I would

be unable to ever know

again would cover me

cover me whole

cover me entire

My Fist Was A Book Of Ethics

all that will have been

will be the case as well

if, that is, indeed, the case

so, you see, it must respond

in kind: by opening- we

are desperately in need of

the verb; to be, at least,

for a moment, the passive;

to have been opened unto

and so we needed the

verb of the question – the

activity that brought

about both the perfectly

present opening as well as

the state of openness

that shoots out an inability

to delineate the limits of

the verb to open, that forces

us to choose, to trace

a line of force from

emptying object to

emptying object until

what ends and begins

becomes a flow that

bleeds out its own

trajectory into every

nothingness

and so to regain,

to gather up our

useful singularity,

we must remember

the rhythm of

the litany along

which we travel

 

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